Shelley Duvall Net Worth 2022: What’s the Interesting Thing About Her Career?
Shelley Duvall, an American television and film actress starred in a number of films during the 1970s, including Brewster McCloud, Nashville, 3 Women, and Thieves Like Us.
Shelley Duvall’s Early Years
Duvall was born in Fort Worth, Texas on July 7, 1949, to Bobbie Ruth Crawford and Robert Duvall. Her father was a livestock auctioneer before becoming an attorney, and her mother was a real estate agent. Scott, Shane, and Stewart were her three younger brothers with whom she grew up.
Due to her father’s employment, Duvall’s family moved frequently during her early childhood but settled in Houston when she was five years old. As a child, Duvall was interested in art and science and was remembered as being incredibly active.
Shelley received perfect grades in high school. She attended at South Texas Junior College in 1967 after graduating from Waltrip High School to study nutrition and diet therapy. She also began selling cosmetics at Foley’s department store.
What’s the Interesting Thing About Her Career?
Shelley married the artist Bernard Sampson in 1970. In the same year, she and Bernard hosted a party attended by legendary filmmaker Robert Altman, who was in Texas filming “Brewster McCloud.” Several members of the film crew were also there, and many were captivated by Duvall’s distinctive appearance and lively manner.
They asked her if she was interested in participating in the film. Although she had never acted before, she accepted the invitation and made her first trip outside of Texas to Hollywood. She appeared in the film as the love interest of the main character.
In 1971 and 1974, Altman cast Duvall in “McCabe & Mrs. Miller” and “Thieves Like Us,” respectively. She also starred as a member of the ensemble cast in the 1975 ensemble comedy “Nashville” by Robert Altman.
She then appeared in “Buffalo Bill and the Indians, or Sitting Bull’s History Lesson” and “Bernice Bobs Her Hair” the following year. These are all films directed by Altman. She was invited to host “Saturday Night Live” and appeared in five sketches as a result of her success.
While Duvall had been developing a reputation for herself in Hollywood, it wasn’t until she starred in Robert Altman’s suspense picture “3 Women” in 1977 that she truly broke through.
Duvall improvised a significant portion of her lines, and her performance earned her the Oscar for Best Actress at the 1977 Cannes Film Festival. She was also nominated for a BAFTA and won the LAFCA Award for Best Actress.
The next year, she appeared in a minor role in Woody Allen’s “Annie Hall.” She portrayed Wendy Torrance in “The Shining” opposite Jack Nicholson and under the direction of Stanley Kubrick in 1980. Despite the fact that the film has since become a cult classic and Duvall’s acting in it has been praised, she did not initially earn such positive reviews.
Nicholson also said in Kubrick’s documentary that the filming process was grueling and that Kubrick frequently antagonized the performers in order to enhance the psychological tension of the film. He would frequently isolate Duvall and then subject her to arduous sessions, reshooting the same shot over a hundred times.
Altman cast Duvall as Olive Oyl in his adaptation of “Popeye” alongside Robin Williams while filming “The Shining” The film was both critically and economically successful, and Duvall’s performance garnered great attention.
The following year, in 1981, she appeared in “Time Bandits,” and in 1982 she began hosting, narrating, and producing “Faerie Tale Theatre.” Duvall created 27 episodes of the show, in addition to appearing in seven.
She followed the popularity of the show by developing the anthology series “Tall Stories & Legends” in 1985, which was an adaptation of American folk tales. The series aired nine episodes, and Duvall was nominated for an Emmy for her efforts.
In 1988, Duvall established Think Entertainment, a new production business dedicated to producing. She produced every part of the popular “Fairy Tale Theatre” series from 1982 to 1987. She made numerous other shows for youngsters and adolescents.
In 1989, she conceived and produced “Nightmare Classics,” another horror-themed anthology series. Her firm joined Universal Family Entertainment in 1992.
She next created “Shelley Duvall’s Bedtime Stories,” which garnered her a second Emmy nomination. She then produced her fifth series, “Mrs. Piggle Wiggle,” before selling her production company and retiring from the industry.
Duvall continued to appear in cinema and television throughout the 1990s and into the early 2000s, mostly in guest and supporting parts. She appears in the films “The Portrait of a Lady,” “Alone,” “Home Fries,” “Tale of the Mummy,” “The Fourth Floor,” and “Mann from Earth.” She then retired in 2002 and has since been mainly absent from public view.
Shelley Duvall’s Net Worth
According to celebritynetworth.com, Shelley Duvall is an actress with a net worth of $500,000 in the United States. Olive Oyl in the 1980 film adaption of “Popeye” and Wendy Torrence in Stanley Kubrick’s “The Shining” is undoubtedly Duvall’s best-known roles.
Shelley Duvall has received nominations and accolades at the Cannes Film Festival, British Academy Awards, and Primetime Emmy Awards for her portrayal of different and eccentric characters.
Shelley Duvall’s Personal Life
1970 until 1974, Shelley was married to Bernard Sampson. Paul Simon was her boyfriend from 1976 to 1979. He ended their relationship at the airport before she left for London to film “The Shining.” Simon then dated actress Carrie Fisher, who Duvall introduced to Simon.
She began living with Dan Gilroy in 1989. In Studio City, California, on a 3-acre hillside property, they kept 36 birds, two cats, and eight dogs.
It has long been rumored that Shelley abandoned Gilroy, their home, and their animals after the Northridge earthquake of 1994. In a 2021 interview with the Hollywood Reporter, Shelley appeared to acknowledge that the Northridge earthquake was at least partially responsible for her abrupt transfer to Texas.
Shelley revealed in the interview that shortly after the earthquake she was experiencing financial difficulties, and after recording a small role in Steven Soderbergh’s “The Underneath,” she opted to see her mother in Houston and virtually did not return to Los Angeles for two decades.